Sword And Fairy 4 Remake, Clair Obscur benzeri bir karakterin gelişinin sinyallerini veriyor.

The first clear Clair Obscur-like has surfaced, and it comes from China. Sword and Fairy 4: Remake, developed by UP Software, has been revealed through an announcement trailer that immediately drew attention for how closely its combat mirrors Clair Obscur: Expedition 33. The footage surfaced via Gematsu and the Chinese platform bilibili, with no official English translation available at the time of publication.

It arrives during Clair Obscur's year, a period defined by sustained awards momentum and broad recognition for Sandfall Interactive’s debut. Expedition 33 has continued to collect major accolades despite a brief controversy surrounding its use of AI tools, a setback that has not slowed its reception or visibility. That success appears to have accelerated imitation, with Sword and Fairy 4: Remake presenting itself as the first project to echo Expedition 33’s specific design language.

The trailer opens by establishing a Chinese fantasy setting. Several environments appear in quick succession, including open landscapes, stylized ruins, and a populated city hub. These sequences emphasize scale and atmosphere rather than narrative clarity. Once combat footage begins, the similarities become unmistakable. Turn-based encounters unfold with dynamic camera movement, timed parries, and exaggerated ability animations that closely resemble Expedition 33’s presentation.

Sword and Fairy 4 is not a new property. The original game was released in 2007 and was part of a long-running Chinese RPG series better known for traditional, menu-driven combat. The remake appears to depart sharply from that structure. Its battles adopt cinematic framing, reactive defense mechanics, and user interface elements that align closely with Sandfall’s recent work. In several moments, the resemblance is strong enough that individual shots could be mistaken for footage from an Expedition 33 expansion.

While Clair Obscur did not invent turn-based combat, its execution reframed expectations. Perfect parry windows, camera-driven choreography, and heightened visual feedback created a system that felt immediate and physical without abandoning turn structure. Sword and Fairy 4: Remake seems to adopt that formula wholesale, from camera angles to encounter pacing, rather than merely drawing loose inspiration.

Public reaction has focused almost entirely on those parallels. Viewers familiar with the original Sword and Fairy 4 noted the tonal shift, pointing out how far the remake’s combat presentation has moved from its roots. Others observed that Expedition 33’s influence now appears concrete rather than speculative, marking a transition from admiration to replication.

There is still little confirmed information beyond the trailer. No release window, platforms, or gameplay breakdown have been announced. Without translated dialogue, the story context remains unclear. What is visible, however, is a deliberate attempt to align with a combat identity that has already proven successful on a global stage.

Despite the resemblance, the emergence of a Clair Obscur-like does not yet signal the birth of a new genre. Turn-based systems have long histories across regions and studios. Expedition 33 refined and personalized existing ideas rather than replacing them. Sword and Fairy 4: Remake suggests that refinement is now being adopted elsewhere, at least in form.

Read also, The Fans Are Divided Over Clair Obscur: Expedition 33 Success at The Game Awards 2025, where the game set a new record by winning nine awards, surpassing The Last of Us: Part II.